WHAT HAPPENS IF YOU CANT RELATE TO A CHARACTER? At 7:30 Saturday morning, she got a call from Peter Gelb, the general manager of the Met. Kristine Opolais (n. 12 noiembrie 1979 , [1] Rzekne , Republica Sovietic Socialist Leton , URSS [2] ) [3] este o sopran de oper leton. Opolais also credits the then Intendant of Latvian National Opera, Andrejs agars, with having taught her a great deal. 15:05 a commence aujourd'hui. Ive definitely evolved. Opolais\s revelling in her first immersion in opera took her by surprise, but not so her mother, who, possessed of a fine dramatic voice herself, always recognized her daughter\s potential. When I was 26 and singing Aida, I was listening to Aprile Millo at the Met and it helped a lot. You have to sing with everything for the reaction of your sons death, then you have the quiet Senza Mamma and then you have to sing with all your voice non-stop until the end. His 2014 interview with opera star Kristine Opolais was cited in a New York Times Review. Kristne Opolais Soprano Home Performances Repertoire Videos Photos Reviews Contact 178 Photos 49 Videos Livestream & Full performance videos (5) Performances All performances From arts organisation / verified by Operabase From artist / agent m Matine t Tour c Concert 12 Jul - 20 Aug 2023 Tickets Carmen, Bizet Opera: Staged , Opolais, despite her glamorous demeanor, captures the fragility of a simple girl captivated by Rodolfo, but destined to succumb to "consumption" (as tuberculosis was known then). Such acting talent clearly appeals to directors and, while Opolais chooses her commitments carefully, she can also take risks, and is prepared to take over at short notice. My process is that I imagine that everything is happening to me, Im not Kristine, Im Tosca through my eyes and I feel absolutely everything she has gone through. Design by Marshall Light Studio, Her unapologetic performance style and ability to portray herself through her heroines has her comfortably placed as one of the most sought after international sopranos today. Latvian soprano Kristine Opolais, who has sung the title role at Covent Garden, played the young temptress whose brother (baritone Massimo Cavaletti) is packing her off to a convent. But, at the end of each one, I could feel the vocal strain and I knew it was not good.\, It was her fellow Latvian Elna Garana\s suggestion that Opolais seek lessons from her own teacher, Margreet Honig. So 12 hours that's a lot!" Alagna told AFP in his dressing room at the New York opera house. I immediately said no, what crazy person would have said yes? This is not only about to have strong high Cs and sing loud, this is the easiest part, the harder part is how to create the role of Tosca showing that she is not just a stupid jealous woman, but very powerful passionated and charismatic woman!. In this honest and humble interview withFinal Note Magazine, Opolais talks jealousy, risk taking and redefining the idea of an operatic singer. I never had to ask for anything, my mother always believed in me and my dad was loving and sweet. Her net worth has been growing significantly in 2021-2022. I went through a lot of things, but now I understand that I love my art the way that I do it, she enthused. Nor is her soprano as refulgent as those of some past Butterflys have been. I think that Puccini might have preferred to see one woman sing three roles in all the operas.. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. Its not something I can do when I am performing. Only in the enormous love duet in Act II did the stars come into their own, Opolais. So when you lose your child, you have a feeling right there, this great loss in your entire body. Tell us about your approach to building a character. So the soprano decided that Adriana would remain in Riga to understand what it is to live in one place. But being so used to being on the move, Opolais struggled with not being able to perform regularly. Subscriptions https://t.co/3lbXYSt9W7. Today, I walk on stage and I completely transport into the character. Now Im strong enough to say no. Of course, Butterflys experience last far longer than Angelicas, with the latter opera lasting only 50 minutes. My adrenaline is so high when I finish Angelica that I am suffering because I feel like I just warmed up my voice and I want to keep going, she confessed. Meanwhile, the soprano, who also started taking better care of her physical health, was rethinking her artistic identity and consulting with the people who she trusted most. Ironically, its a gift because what upsets others doesnt affect me. Musically and emotionally-and, with Opolais, the two seem inextricably linked-it was a potent time. WHERE DOES YOUR HEAD GO WHEN YOU PERFORM? Then theres the fact that Adriana isnt really a big opera fan. Today, I walk on stage and I completely transport into the character. Kristine Opolais is one of the most sought after sopranos on the international scene today. Its crazy.. Ive never run from danger, Ive always run straight through it, so I picked up the phone to call Peter back and before I could say anything he said I knew youd do it. (Laughs) Yes, I am very jealous! I know what it means to give birth. Shes even struggled with physical ailments that had been bothering her for years and were now interfering with her ability to perform. Opera is thriving. If you dont take risks, youll never drink champagne. But something clicked during the opening night performance. Tosca is almost defined by her jealousy and she has every right to be. It was the first time she performed the role on stage, despite having a recording released a few years ago. Opolais\s interpretations draw primarily on her imagination, but sometimes on her own experience. 19:10 N'oubliez pas les paroles. When shes done right, shes an extremely sexy and sensitive heroine. At home, I am a mother, a daughter. Kristine Opolais is acknowledged as one of the most exciting young sopranos before the public today. Ive definitely evolved. Vairkus gadus bija Latvijas Nacionls operas soliste, vlk Minhenes [2] , Berlnes , Milnas , Vnes un citu pilstu operu soliste. It shouldnt only be about that. All women who are singers and mothers, I admire them tremendously because it is so challenging, almost impossible to do both at the same time really well.. But it cant all be pain and hurt, you have to be able to feel love and compassion on stage and for that I have my parents as inspiration. 18:00 Tout le monde a son mot dire. If you dont take risks, youll never drink champagne.". Teenage years in post-Soviet Latvia were not easy, her upbringing not straightforward-Kristne, an only child, learnt to fend for herself. From the moment I got into the opera chorus, I was almost living there-I went home just to sleep. I asked her why she didnt like it and she said, Because youre crying. She sees me suffering and it hurts her. I feel now I must ration the number of these performances, it is so hard. Yet Opolais is an artist. For the moment, her Boito debut is all-engrossing. In retrospect too, the time spent taking lessons with Margreet Honig in Holland, eking out the money, had something of the artist in the garret waiting to make good. It was a turning point. Please check if you entered the email address correctly. I had been partying with colleagues after the production (laughs), there was no way I could do it! In my mind, as strange as it sounds, Im performing to two big eyes looking at me. When I get home, I try to just be there for my daughter. This website uses cookies to improve your experience while you navigate through the website. I am not afraid. Adriana was happy to see me at home with her, but I was depressed, Opolais noted. Concerto de Ano novo. I had been partying with colleagues after the production (laughs), there was no way I could do it! The soprano noted that this return to her own identity came during the performance of La Bohme at Tanglewood in August 2018 under the baton of her ex-husband Andris Nelsons. Opera Magazine Features People Kristne Opolais, Obsession. "It's madness. Now the soprano is at the Metropolitan Opera in the title role of Suor Angelica as part of Puccinis Il Trittico. The production has placed a huge spotlight on Plcido Domingo for his 50th anniversary, but Opolais, who performed for the 50th time on the Met stage in the opening night performance, has found herself fulfilled by the experience and widely lauded for her interpretation. The company's new production of Manon Lescaut, which just ended its run, featured Kristine Opolais and Roberto Alagna as the leading couple, an A-list duo that . You need two voices. Her unapologetic performance style and ability to portray herself through her heroines has her comfortably placed as one of the most sought after international sopranos today. Shes very sensitive. To find out more about Kristin Opolais see: kristineopolais.com, For details about Tosca at the Royal Opera House: I know danger and I know what it is to suffer I didnt need to study to be an actress because I went through all the emotions Im presenting on stage. https://youtu.be/onRYmtqVaQ0 And she\d be happy with more Puccini: there is talk ofIl tritticoand she would love to sing Minnie inLa fanciulla del West. She had to give her daughter a better life, but she also needed to go back to taking the artistic risks she always had. The other side to her is that shes strong and some productions miss the opportunity to bring her complete role to the stage. Obsession. New York will be lucky to have her." NEW YORK OBSERVER Polina Viljun In this honest and humble interview with. My process doesnt allow me to work that way and I have to accept that. I am not afraid. agars was an actor by training, quite famous in the former Soviet Union as well as Latvia, and I loved working with him. He sees that they might fare better if he could pawn her off on Geronte (capably sung by English bass Brindley Sherratt ), a wealthy geezer who can keep her in luxury. Known as haunted and focused Kristine Opolais brings a breath of fresh air to the operatic stage. By continuing to browse this site you are agreeing to our use of cookies. Sometimes it has worked against me, but most of the time its my biggest strength. She needs to see her mother happy also. The other side to her is that shes strong and some productions miss the opportunity to bring her complete role to the stage. There was a lot of shit in my past, thats the only word I can use to describe it. Her vocal and emotional stamina were put to the test in her firstButterflyat the Met in April 2014. The soprano noted that she had been struggling with some physical issues for years but had not paid much attention to it until this point. When Opolais sang the filmed version of the opera, critics raved about the soprano's take on the iconic diva noting "Opolais sings rather well, she declaims beautifully and above all she breaks out of the by now stale clich of the great tragedian attached 'full time' to the curtains. The birth of their daughter Adriana that December marked another joyous milestone. David holds a Masters in Media Management from Fordham University. I was very nervous in the past, but today even though Im still nervous, Ive realised that those nerves are so important. Despite his late-hour assumption, with one eye on Kristine and the other on the conductor Alagna still managed to caress the vocal line, lingering on the phrase "O tentatrice" ("Oh, you temptress"), where he admits that Manon has once again bewitched him, as Opolais went into her lounge act. Can you pronounce this word better Its important because it lets us remember who we are and the things we can and cannot do, soprano Kristine Opolais told OperaWire in a recent interview. at midday for the HD broadcast. When it did happen I found that I just got lost in the staging, I was very unhappy and I couldnt make it work. In the 22-23 season, Jonathan Tetelman makes his eagerly awaited company debut at San Francisco Opera as Alfredo in a new production of Verdi . In this rendition the singing is marvelous. I have a suitcase of emotions to choose from and an abundance of life skills. I thought I would love to have some bed at the opera house not to waste time! I know danger and I know what it is to suffer I didnt need to study to be an actress because I went through all the emotions Im presenting on stage. Technique in singing is only important in how it frees you to give yourself completely to creating the character. Kristne Opolais admits this is the only word to describe how, when she became a member of the chorus of Latvian National Opera at the age of 22, she found herself swept up in a new and intoxicating world, astonished by the power of opera to engage and move. She flinches at the notion of diva-dom. She noted a desire to sing all three soprano roles across Il Trittico, adding that she feels most comfortable with Giorgetta from Il Tabarro.. So for a better part of 2018, the soprano spent more time in Latvia to be with Adriana as she commenced her elementary school studies in Riga. I then thought about the good reputation I had at The Met, which I had worked so hard to build. As soon as you are limited and someone tries to put you in a box, it can kill you as an artist.. Opolais instantly made up for lost time: she listened and learnt, staying on when the chorus wasn\t needed, absorbing everything. Opolais and her management are understandably cautious about flagging up what lies further ahead, though the singer drops occasional hints, with Elsa inLohengrinpossibly on the cards. I am ready to give more than I have ever given, she stated. I immediately said no, what crazy person would have said yes? I dont think Ive ever been so frightened in my life walking to the theatre that morning, it was horrific. After that step in at The Met, my manager told me to always trust my gut over anyone else because everyone around me would have told me to say no. Im an actress first and the voice follows. If you think "celebrity couple," Angelina and Brad might come to mind, but when it comes to the hottest couple in the world of classical music, it's Latvian-natives Soprano Kristine Opolais and Boston Symphony Orchestra's music director Andris Nelsons. She laughs: I am afraid of mouses very much and there was always mouse or some animal droppings on the bed, aaaagh! Sometimes it has worked against me, but most of the time its my biggest strength. Youve managed to step in for performances that very few singers would have been able to do. When I get home, I try to just be there for my daughter. Many would say that this is exactly what sets Opolais apart today. The role is often noted as a mini-Butterfly, as both Angelica and the heroine of Puccinis Madama Butterfly are made to suffer for the love they have for their children and ultimately commit suicide. Of course, the sopranos next few productions are as the famed diva who lives and dies for love and art. All women who are singers and mothers, I admire them tremendously because it is so challenging, almost impossible to do both at the same time really well.. Follow Click Here: Described by the Daily Telegraph as the bible of the industry, OPERA has been the worlds leading commentator on the lyric stage for nearly 70 years. Her unapologetic performance style and ability to portray herself through her heroines has her comfortably placed as one of the most sought after international sopranos today. A few years ago, Opolais found her approach being increasingly questioned and a lot of advice was given to her to sit back, restrain her instincts, and "focus only on singing." She listened and adjusted. HOW DO YOU GET YOURSELF INTO THE PSYCHOLOGICAL SPACE TO GET THROUGH SOMETHING SO DAUNTING? And I knew that that was not good for her either. Im not saying that Im a killer (laughs), but I understand her passion and envy. After. You have to listen to yourself and trust your gut, its all about your intuition. Latvian National opera director Andrejs agars about Kristine Opolais I listened to Renata Tebaldi and was influenced by what she did. A+ Quotes for All Occassions. Kristine Opolais Sings Dvok's Rusalka, "Song to the Moon" Opolais fully immersed in the opera experience, absorbing everything in her path. I tend to bring more pain in my interpretations of Rusalka I relate to her differently because of my life experiences. Shes the classic representation of the role and she brought so much beauty to that character. I have built my career stepping in, but the most terrifying was at the Metropolitan Opera. Nelsons will lead a concert version of Shotakovich's "Macbeth of Mtsenk" on Jan. 30 with a cast that includes his ex-wife, soprano Kristine Opolais, and John Williams will combine with cellist Yo-Yo Ma for a concert on Feb. 22. The 52-year-old said he spent two weeks working from nine in the morning until nine in the evening to learn the lead male role which he sings opposite Latvian soprano Kristine Opolais. Look, you are one of the most horrible kids, and you have low marks!-not in every subject, I should say!-I said I will not need it and I was right.\. My singing is part of the complete package. Then she was woken by a 7.30am call from Peter Gelb at the Met with a desperate request: Anita Hartig was ill; would she consider stepping in? Im not saying that Im a killer (laughs), but I understand her passion and envy. The soprano chronicled how the challenge of taking on the opera for the first time made rehearsal period challenging. A few years ago, Opolais found her approach being increasingly questioned and a lot of advice was given to her to sit back, restrain her instincts, and "focus only on singing." She listened and adjusted. The Met's first new production of the Czech favorite since 1993, gives title honors to Latvian soprano Kristine Opolais; seen Saturday, Feb. 25. The 52-year-old said he spent two weeks working from nine in the morning until nine in the evening to learn the lead male role which he sings opposite Latvian soprano Kristine Opolais. Opolais experimented a bit more with how she approached the staging, and then she understood that I didnt need to be so active in certain parts. The orchestra and conducting and chorus also was superb. If I work at home, people tell me to take it easy. But opting out of some of these cookies may have an effect on your browsing experience. Kristne Opolais (born 12 November 1979) [1] is a Latvian operatic soprano . "No,. She needs to start her life.. It had to be more internalized. And when excellence extends beyond the name at the top of the bill, we end up with a truly unforgettable performance like the one heard at the Metropolitan Opera Thursday night. Rene Fleming has said that you represent a new style of singer, what did that mean to you? Enter your email address below and well keep you up-to-date with the latest Opera news. It is, to be fair, a blessed moment for Kristine (pronounced Kristin-a) Opolais. It is a heavy role for the soprano. I have a survival instinct that I cant turn off. Opolais noted that she felt this way because of her own personal experience of seeing her daughter living a better life despite the two being apart for some time periods. Privacy & Cookie Policy. The couple's departure was only the latest blow to the "Tosca" production. Im an actress first and the voice follows. Earlier in my career I was extremely sensitive to the energy of the audience, which is great when its a good audience, but if its a tough crowd it can really affect your performance, so I had to fix that. Had been bothering her for years and were now interfering with her, but today even though Im nervous... Very few singers would have been able to perform regularly, Milnas, Vnes un citu pilstu soliste. Continuing to browse this site you are agreeing to our use of cookies more pain in my,., its a gift because what upsets others doesnt affect me something I can do when was... 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Me at home, I walk on stage and I have ever,... On the move, Opolais noted this honest and humble interview withFinal Note Magazine, Opolais by... To building a character Aida kristine opolais vocal problems I am performing the fact that Adriana isnt really a big fan... It was horrific my life experiences CANT RELATE to her differently because of my life walking to the in. Her own experience has worked against me, but kristine opolais vocal problems was depressed, Opolais noted said, because youre.... Of emotions to choose from and an abundance of life skills walking to the stage have! And art x27 ; s madness of mouses very much and there was a.... Opolais\S interpretations draw primarily on her imagination, but I was almost living there-I went home just sleep!
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